General

Drawings are a Buy

  In a recent post I argued that Picasso drawings are on a tear.  In this one I’ll offer reasons why they are still a buy, especially relative to other Picasso mediums, as well as relative to drawings by other “modern masters”.  (Before we begin, in case you’re wondering whether I have any conflict of interest, I should submit that in this case I have no particular disclosures to make except for the general case, which is that we own and offer for sale Picassos in all of these mediums.) The art market is in a state of perpetual disequilibrium, as we have earlier discussed, and the Picasso market is no exception.  But among Picassos, the medium in which the […]

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The Missing Link?

Costume du manager français pour le ballet “Parade”(Costume of the French Manager for the Ballet “Parade”, 1917) This small (23 cm) but complex cubist ink drawing and wash is a delightful discovery, the “missing link” between the preparatory, simple sketches, mostly line-drawings, all of which are in the collection of the Musée Picasso Paris, and the finished costume for the French Manager in the ballet “Parade”.  The costume itself was destroyed and is now known only from the period black-and-white photographs. An example of the earlier drawings The present drawing is the culmination of all of the earlier ones, presumably the final step before Picasso (or his craftsmen) created the actual costume: The French Manager’s costume “Parade” was the first

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Drawings are on a Tear

Seems to me that drawings are on a tear, much as sculptures have been for the last several years.  Oils have long outpaced works on paper and 3-D objects, by more than I would have expected.  Of late however there has been a meteoric rise in the value of works in both of these laggards. Three very high-end sculptures have recently been sold (the $100M+ Giacometti, and a Matisse and a Modigliani each topping $40M), which is a big step in correcting this market disparity.  (Picasso sculptures have topped out at just under $30M, more because of lack of availability than desirability, I believe.)  With drawings, it might be too soon to be conclusive, given the small number of recent

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The Results are In

…but I don’t mean the elections. There were so many astonishing results in the NY auctions this week.  For the sake of brevity (and diplomacy), I’ll limit my comments to the two paintings I previewed (below) as well as one particular drawing.  Let’s start with the drawing, by far the most riveting result.  Le Viol (The Rape, 1940), pen, brush and ink on paper, 38 x 46 cm, was estimated at $4-6M but fetched $13,522,500.  This result speaks for itself, though I’m not exactly sure what it says.  Except that it breaks the world’s record by a mile for a black-and-white work on paper by Picasso.  It also comes in at the heels of the third priciest Picasso work on paper

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Wuzon da Block?

There are a number of lovely Picasso paintings and works on paper in NY this season, but the one that stands out the most is the above oil painting of Françoise at Christie’s.  Although Picasso created quite a number of beautiful drawings and prints of his new lover, his paintings of her were generally not among his best. Tête de femme (1952) is that much more remarkable, because it certainly ranks as one of the finest paintings of Françoise, arguably one of the two best.  The other one, La femme-fleur (The Woman-Flower), is in the subject’s private collection.  (In the end, it seems Françoise didn’t fare that badly….) Picasso must have been pleased with this painting.  The day before he had painted

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(Blue) Chips off the Old Block: 2012 Spring Auction Review

Though the year in art has just begun, I feel nonetheless confident in saying that the best buy of the year has already occurred. Le repos (The Repose, 1932), a serene portrait of Marie-Thérèse sleeping on her hands, is the finest artwork I’ve seen all year and one of my very favorite portraits of this model.  Smallish (46 cm), yes, but I for one don’t judge artworks by their size, unlike so many of the real estate speculators in the art market. This gem sold at Christie’s NY in May for just under $10M on an estimate of $5-7M. (It last sold in the same room a decade earlier for just over $3M, and before that was bought in at

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Birthday Greetings

Tête couronnée (Crowned Head) Yesterday  marked Picasso’s 130th birthday.  Hard to imagine that the quintessentially modern artist lived so long ago!  Included in our collection is a Blue Period drawing that is shockingly over a century old—a veritable antique.  Happy birthday, Pablo!

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Picasso Orphans

Deux vieux lisant une lettre, 1962  Earlier today, while shelving some recent auction catalogues, I started leafing through one of them to the dog-eared pages which marked the Picassos, when a wonderful drawing hit me again.   Now don’t call me a grumpy old man, but I find it surprising when every now and then a great work falls through the cracks and the art market doesn’t notice.  Take these two old men.  Sure, this is not a drawing of a woman, much less a naked woman,  and it doesn’t have a drop of color.  It’s not large (but at 35 cm, not that small either) and it’s not an oil, just a lowly pencil and paper.   But the above

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Jerry Won!

The “Ledor Gallery Race Car”, courtesy of driver/owner Jerry Kroll, propelled by dachshund power, just won the 2011 Sports Club of America (SCCA) Championship for Formula Enterprise.  Go Jerry!  

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The Measure of the Man: Introduction to the de Young Picasso Exhibit

  It is impossible to fully appreciate the breadth and depth of Picasso’s art without pouring through his catalogues raisonnés (the tomes that illustrate all of his known artworks).  Visiting the Picasso Museum in Paris is as close as one can come to achieving this goal by looking at the actual art.  The traveling loan from that museum at the de Young includes many masterpieces but is still a very small sample of his work.  It’s about as representative as 150 of his artworks could be, but he created so many varied styles and subjects that they couldn’t be included in any depth, or some of them included at all, in a show of this size.  The exemplars of the Blue

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